Sahara
One Star (out of five)
2005. Released by Paramount Home Entertainment. Running time 130 minutes. Rated PG-13. Has closed captions, and English Subtitles. DVD special features include two separate audio commentaries, deleted scenes, and various short making of documentaries.

When all else fails, impersonate Lawrence Of Arabia! The opening sequence of Sahara is a thrilling scene that shows the Confederate Ironclad CSS Texas battling her way through a Union blockade on a river at the end of the American Civil War. It's an exciting opening, with guns blazing on both sides and the Union shells bouncing off the Ironclad's armored sides. And, just as the viewer is getting really caught up in these engrossing events, the main titles begin, and things pretty much go downhill from this point. In present day Africa, Dr. Eva Rojas (Penélope Cruz, who at times looks like she'd rather be anyplace but in this movie) is tracking down the source of a plague for the World Health Organization. During her investigation, which requires her to wander around unsavory areas alone for some strange reason, Rojas encounters some thugs who steal her bag. They're about to do a lot worse to her, but Dirk Pitt (Matthew McConaughey), all around hero and nice guy, just happens to be there to save her.

The stars of Sahara are brought before a tribunal to answer for crimes against the cinema. Dirk has been working off the coast of Africa on a deep-sea salvage operation. But in his spare time, he's been doing a little investigating on his own into the CSS Texas. Captain Mason Tombs, the commander of the vessel, was given one of only five gold coins that had ever been minted by the Confederacy, and when Dirk finds this last coin in Africa, he knows that the wreckage of the CSS Texas can't be far behind. This revelation is a little strange, because this particular Ironclad was not designed to sail the open ocean (they were used primarily on rivers and in bays during the Civil War), and although this fact is brought up in the film, they never really explain how the ship could have made the crossing on the Atlantic Ocean in the first place. But Sahara is a movie that doesn't really want to think too hard about these annoying plot points; instead it just brushes them aside and moves on to the air-headed business at hand.

Oboy! We sure showed those guys, huh? Yeah baby! Uh, I guess we're swimming from here on. After getting permission from his boss Admiral (retired) Sandecker (played by William H. Macy, who must be killing time in-between starring in David Mamet movies) Dirk and his friends sail off in a powerboat to find the CSS Texas--but not before dropping Doctor Rojas off in a village along the way. Eventually, Dirk and his buddies encounter some armed soldiers who shoot up their boat with automatic weapons--but that's ok, because even though the boat is made of Fiberglas, it somehow still stops the bullets from killing the boys. Although, at this point, if Dirk and his team HAD been killed, it would have been a blessing, because then the movie would have been over right then and there.

We'd better think of something quick, guys. We're losing the audience! I've read several of author Clive Cussler's Dirk Pitt novels, and while they stretch credibility at times, they are always entertaining and just plain fun. In contrast, Sahara is just plain silly. Cussler's novels work because they always pay close attention to the tiniest of details, despite how far-fetched they may be, and it's these very same small details that are exactly what the movie ignores. The film tries so hard to capture a freewheeling, devil may care style that it makes its characters act like total buffoons. Case in point is the scene where soldiers in boats attack Dirk and friends on the river. And while Dirk's ultra sleek powerboat could easily outrun the little clunkers driven by the soldiers, he ultimately deals with this problem by diving into the water after running his powerboat into the soldiers' boats and rigging it to explode! Dirk and his buds are lost in Africa without any transportation or communications, but who cares? Because we're having fun, right?! The special features include two separate commentaries: one by director Breck Eisner and another by Eisner and McConaughey, who served as a producer on the film. There are also the deleted scenes, and the usual making of documentaries. If you're looking for a fun modern day adventure, just read any of Clive Cussler's Dirk Pitt novels and spare yourself the agony of sitting through this flick. --SF


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