In The Name Of The King: A Dungeon Siege Tale
Two Stars (out of five). 2008. Released by 20th Century Fox Home Video. Running time 127 minutes. Rated PG-13. Equipped with English Subtitles and closed captions. There's only a slim selection of behind the scenes footage, with no narration, that serves as a pretty lame making of feature, along with deleted and extended scenes.

Hiya, I've got a singing telegram for you....ready? Uwe Boll. The name sends chills down the spines of serious cineastes--or at least he really bugs moviegoers. Despite howls of protest; despite internet petitions--and despite literally fighting with one of his critics--Boll keeps right on directing movies, like a deranged Energizer Bunny that simply will not stop. His latest epic, In The Name Of The King: A Dungeon Siege Tale, is based on the popular role playing game (maybe that’s the secret to Boll’s power: he always seems to make movies based on games), and it’s actually a step up from his more recent productions. The first thing the viewer notices is that ITNOTK:ADST (which must win some kind of award for having an acronym that’s longer than its name) has a far bigger budget than any of Boll’s previous films--and this grants him a better cast of actors to work with.

You worked with Scorsese? Big whoop! I worked with Kubrick! So whose bitch does that make you, Ray? Jason Stratham stars as the hero who changed his name to Farmer when he got a farm, because he believes people should take the name of their jobs--which is lucky for him that he didn’t get into the fertilizer business. The quaint little kingdom that Farmer dwells in is attacked by Krugs, a race of Orc-like monster-people who are controlled by Ray Liotta. Ray’s busy doing his best Elvis impersonation (the chunky, late-1970s Viva Las Vegas Elvis) while playing a seedy sorcerer who sucking the face of poor Leelee Sobieski when he’s not plotting his rise to power. Liotta’s normally a good actor, but I just don’t buy him here as an evil magician--I keep expecting him to start speaking directly at the camera, as he did in Good Fellas, and explain to us that he took this gig mainly because he needed the money.

What fools these mortals be! A really tired looking Burt Reynolds stars as the king, and all I can say about his performance is this: thank God for the closed captions, because Burt mumbles his way through his scenes so badly that I defy anybody with the best hearing in the world to try and decipher what he says. John Rhys Davies is good as the king’s magician; the always-great Ron Pearlman is fun to watch as Norick, Farmer’s mentor, and Claire Forlani is well-cast as, literally, the farmer’s wife. Kristanna Loken, who starred in Boll’s Bloodrayne, also appears here as the leader of the swirling wood nymphs. Either she’s very loyal, or is a glutton for punishment--take your pick.

I recall this journey being a lot harder in the Lord Of The Rings. But then, in those movies, I was also shorter.... Clocking in at just over two hours, ITNOTK:ADST feels very overlong, thanks to slow pacing, as well as a badly written script that apes The Lord Of The Rings in every manner it can. It’s not a total turkey, thanks to its high production values and good cast of solid actors. But the film quickly loses its focus--the epic battle scenes just ramble on and on--and without any creative clarity, it’s hard for the viewer to maintain interest. Still, compared to his recent films--such as House Of The Dead, which I found unwatchable--ITNOTK:ADST feels like an improvement. And for Uwe Boll, that’s saying something! If you must see this, keep your finger poised over the fast-forward button--or, better yet, if you have a yen to see epic fantasy, give the far superior The Lord Of The Rings a try. --SF

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